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                                                                                                                                      A quarterly electronic newsletter                                                      Jul ¨C Sep 2014      Vol. #14-2     

 

19th COMPASS ANNUAL AWARDS PRESENTATION, 2014

With the ending of the year, we are once again excited to invite members and valued guests to the annual COMPASS Awards. This year, it will be held at Resorts World Sentosa (RWS) on 28th September 2014 in the Compass Central West Ballroom from 6pm onwards. The COMPASS Awards, in its 19th year is an annual event to recognize and honour local songwriters, and we hope, to inspire and encourage the use of local music. ¡Þ

 

 

COLLABORATION BETWEEN COMPASS AND NATIONAL LIBRARY BOARD (NLB)

as with most things, the passing of time will erode the memory of  songs and events which have helped shaped the Singapore we know today. Without an archive of our unique heritage, those in the present will not have access to the past, in order to shape the future.

 

With this in mind, the National Library Board (NLB) has collaborated with COMPASS on MusicSG. This is a digital music archive which aims  to preserve and raise awareness of  Singapore music as well as provide resources for research and discovery.

 

NLB will be celebrating the re-launch of the website, with new content and features in late September 2014. There will also be a free public concert on 26 September 2014, at the Plaza of the National Library Building, from 6.15pm onwards, featuring local artistes, Jack and Rai, The Analog Girl, Shigga Shay and Nicodemus Lee. Come join in for a night of music and mayhem!

 

Meanwhile, listen to your favourite local music, view the lyrics, explore the scores and read about the musicians, available on MusicSG, Singapore's one stop digital music archive by the National Library Board. Visit http://music.nl.sg today!

 

For members with wholly owned works and are interested in placing them in archival for our heritage, feel free to contact us: membership@compass.org.sg  ¡Þ

 

SINGAPORE RADIO QUOTA FOR LOCAL SONGS

The question of whether there should be a quota for local content has proven to be a controversial one. Consensus is difficult to reach on the need, rationale and method of implementing a quota system.

 

One obvious objective is to ensure that local music is being promoted. This will strengthen our cultural identity and help grow the local music sector. Local English-language music, in particular is overwhelmed by the Anglo-American music backed by multimillion-dollar marketing blitzes of international labels.

 

The Government¡¯s position is that it will not impose a quota for local music on radio because there is not a strong library of broadcast-quality local music.

Our survey shows that there is no significant improvement in broadcasting lore local music.

 

Local artistes are not inferior in music writing and do produce good recordings. Many Singaporeans are investing in music education. We have music arrangers and producers who can compete with the best in the region.

 

There are also a growing number of emerging independent artistes doing well. For example, The Sam Willows achieved over 500,000 views on their Youtube page; Daphne Khoo, based in New York did a Starbucks tour in Singapore recently, with a North America tour in the pipeline; Terry Lee, a Singapore-based producer, songwriter and rapper, has created hits for stars such as Coco Lee, Evonne Hsu and Energy.

 

It is clearly a chicken-and-egg situation. If our radio stations provide more opportunities for local artistes, especially emerging ones, it will spur more music production.

 

The landscape has changed drastically in recent years, especially with the proliferation of online music services.

 

It is timely to form an official committee with representations from various stakeholders to relook the proposal with an open mind. Learning the lessons of other countries that have implemented such a quota will be useful.

 

After all, radio frequencies are public property and should be leveraged for the best interests of the nation.

 

Dr. Edmund Lam
CEO & Director
COMPASS

 

(Further Reading: The Straits Times LIFE!, Saturday, April 12, 2014,
http://stcommunities.straitstimes.com/music/2014/04/10/there-enough-good-local-music-fill-quota-radio-yes-say-industry-folk AND
http://stcommunities.straitstimes.com/tv/2014/04/04/viewpoint-set-aside-airtime-local-english-music-and-films)

Sarah Cheng De-Winne: Let Our Voices Be Heard

http://sarahchengdewinne.com/blog/2014/04/21/let-our-voices-be-heard-the-case-for-local-music-quotas-on-local-radio/  ¡Þ

 

 

COMPASS MEMBER AUDIO FILES

In order to improve our administration processes and accuracy, we are embarking in an ongoing exercise to collate members¡¯ work registrations, by also requesting for a copy of the work in either original CD or as an audio MP3 files.  For unpublished works, good quality demo CDs / MP3 files are also acceptable. ¡Þ

 

ELECTRONIC PAYMENT vs TRADITIONAL CHEQUES

In order to reduce the stress and loss of post-mailed cheques, we will be progressively migrating from cheque issuance for royalty payments, to internet bank transfers direct into members' accounts instead.

 

Hence, we will be progressively updating member records so that eventually, there will no longer be a need for members to receive their royalty cheques in the mail and then find the time to deposit the physical cheque into their bank account ¡Þ

 

WORLD IP DAY

More than 100 countries across the globe celebrate the World Intellectual Property Day (also known as World IP Day) on April 26 every year. The celebration involves various creative and eye-catching activities to create awareness, allowing the general public to have a better understanding of IP. It also aids in bringing IP to a closer level amongst the users, the innovators and the creators.

 

This year, Singapore celebrated World IP Day at Bugis, organised by the Intellectual Property Office of Singapore (IPOS), it is an event which COMPASS strongly supports. Highlights for the evening showcasing local artistes with their original musical compositions included heavy weights like Taufik Batisah, Jack & Rai, The Sam Willows, MICappella and talented pianist Adelyn Koh from Singapore Association of the Visually Handicapped (SAVH), performing on stage.

 

IPOS, together with Ocean Butterflies Music, also provided free, tailored songwriting courses for Adelyn, who was born with a rare congenital eye disease to fulfill her music dreams. The Singapore Government is working towards ratifying the Marrakesh Treaty to open more access to copyrighted materials for persons with reading disabilities, and IPOS decided to involve SAVH in this World IP Day Celebration to underscore the importance of IP for this community. IPOS believes that when given the right resources, persons with reading disabilities can be IP creators too!

 

The evening celebration came to an end with a performance by YouTube-fame Jason Chen, also a singer-songwriter with Singapore¡¯s first ever crowded-sourced-song titled ¡°I Got You¡±.

 

The event was warmly received and Bugis was packed to the rafters with teens and young adults.

 

We look forward to World IP Day 2015 with even more original and creative musical compositions. ¡Þ

 

© IPOS 2014

 

© IPOS 2014

 
     

 

AMENDMENTS TO THE COPYRIGHT ACT

The Ministry of Law launched a public consultation on proposed amendments to the Copyright Act, in April 2014. This proposal, if implemented, is an initiative to equip rights holders with more control over their intellectual property. It enables rights holders and its direct licensees, an avenue via the Courts for injunctions to prevent access to sites which ¡°clearly and blatantly infringe copyright¡±. Popular sites such as Google and YouTube will not be affected with this implementation if it happens.

 

With the previous fiasco involving ISPs and users downloading pirated content, this seems like a more clean-cut and efficient method for rights holders to regain some control of stolen property without having to involve ISPs unnecessarily.

 

The market it seems, has mixed feelings where some have suggested a price reduction of copyright material to stop piracy whilst others are commenting tongue-in-cheek that this could be another form of control wrested away from users.

 

Perhaps more attention should be focused on the topic at hand, which is enabling right holders with the option of recourse should their material be exploited without prior permission. After all, if a theft has occurred in our personal homes, we can always make a report to the police.  Similarly, should such a theft befall rights holders, the recourse should be as easily available as well.

 

It is never easy balancing intellectual property at what is deemed to be a ¡®reasonable price¡¯ along with the need to respect copyright. Truly though, it is time for this relatively developed nation to bring respect of intellectual property to the forefront, rather than as an afterthought.

 

Find out more here:

http://www.mlaw.gov.sg/content/minlaw/en/news/press-releases/public-consultation-on-proposed-amendments-to-copyright-act.html  ¡Þ

 

 

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